Tinne Zenner (she/her, b.1986) is a visual artist, filmmaker and programmer based in Copenhagen. Working with analogue film, 3D renderings and spatial installation, her work moves between the cinema and exhibition space while exploring the structures, in which layers of history, geopolitics and collective memory are embedded.
Her work is critically engaged with the structural traces of the Danish colonial past and present in Kalaallit Nunaat. Currently her focus is on the ongoing neocolonial and invisible extraction of geological data.
Her films have been shown at a number of international film festivals including New York Film Festival, CPH:DOX, Courtisane, Oberhausen, EMAF, Rencontres Internationales Paris/Berlin, Image Forum Tokyo and EXiS Seoul, and her installation work exhibited at museums and galleries internationally at Reykjavik Art Museum, Nuuk Art Museum, Greenland National Museum, Gothenburg Kunsthal, BOZAR Centre for Fine Arts Brussels and locally at Kunsthal Kongegaarden, Møstings Hus, Overgaden - Institute of Contemporary Art, Kunsthal Charlottenborg and Fotografisk Center in Denmark.
Recent manifestations include her solo-exhibition (Im)material Extraction at Vermilion Sands, Copenhagen (2023), the project Routes of Resistance at Malmö City Library & Skissernas Museum in Lund and The Silver Record, Tromsø (2025).
Zenner holds an MFA from The Royal Danish Academy of Fine Arts (2016). She is a member of the film collectives Sharna Pax and Terrassen both engaging with the social life of film. She worked as a programmer for EMAF - European Media Arts Festival from 2021-2024 and is Head of the educational programme DOX:ACADEMY at CPH:DOX. She was a key member of the organising group of The Social Life of Film #1 in Copenhagen 2023 and The Social Life of Film #2 in Ostend 2024.
Since September 2024 she is an associate professor at Jutland Art Academy. In 2025 she receives the Mads Øvlisen PhD Scholarship for her Practice-Based Artistic Research project: Immaterial Extraction: Data Extraction in Kalaallit Nunnat.
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Kochsgade 31 D, 2. - 5000 Odense C - DK
Her work is critically engaged with the structural traces of the Danish colonial past and present in Kalaallit Nunaat. Currently her focus is on the ongoing neocolonial and invisible extraction of geological data.
Her films have been shown at a number of international film festivals including New York Film Festival, CPH:DOX, Courtisane, Oberhausen, EMAF, Rencontres Internationales Paris/Berlin, Image Forum Tokyo and EXiS Seoul, and her installation work exhibited at museums and galleries internationally at Reykjavik Art Museum, Nuuk Art Museum, Greenland National Museum, Gothenburg Kunsthal, BOZAR Centre for Fine Arts Brussels and locally at Kunsthal Kongegaarden, Møstings Hus, Overgaden - Institute of Contemporary Art, Kunsthal Charlottenborg and Fotografisk Center in Denmark.
Recent manifestations include her solo-exhibition (Im)material Extraction at Vermilion Sands, Copenhagen (2023), the project Routes of Resistance at Malmö City Library & Skissernas Museum in Lund and The Silver Record, Tromsø (2025).
Zenner holds an MFA from The Royal Danish Academy of Fine Arts (2016). She is a member of the film collectives Sharna Pax and Terrassen both engaging with the social life of film. She worked as a programmer for EMAF - European Media Arts Festival from 2021-2024 and is Head of the educational programme DOX:ACADEMY at CPH:DOX. She was a key member of the organising group of The Social Life of Film #1 in Copenhagen 2023 and The Social Life of Film #2 in Ostend 2024.
Since September 2024 she is an associate professor at Jutland Art Academy. In 2025 she receives the Mads Øvlisen PhD Scholarship for her Practice-Based Artistic Research project: Immaterial Extraction: Data Extraction in Kalaallit Nunnat.
Kochsgade 31 D, 2. - 5000 Odense C - DK